Since June 1997
JACQUES CHARLIER: "LA SURFACE DE L'ART"
The essential thing is to know how to choose.
"Some like it new, modern, stylish, while
others like it old, classic, traditional or recycled.
A thorough cleaning is all a dusty and timeworn
painting needs to shine in its original brigthness, thus conveying
the illusion of seeing it "at the moment it was conceived".
The same is true for buildings: a newly restored
and sandblasted facade gives the impression of rediscovering it
with the very eyes of those who built it.
However, whenever new buildings are erected, it
often appears that the architect mistakes function for useless technological
and aesthetic elements. This holds true in the world of art, where
the dominant and devastating avant-garde hesitates between past
esthetics and postmodern attempts. Fascinated by the facade academism
and the ideology of the superficial, it continuously ignores the
social reality, its adventures, its risks and its upheavals."
Jacques Charlier (February 1997)
NEDKO SOLAKOV
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Nedko Solakov
A Wise Thought in a Circle, 2003
Felt pen, handwritten text on ceiling
Courtesy the artist
Photo : Christian Mosar
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Text: This was supposed to be a very wise and relatively
profound thought in a circle that was planed to appear in my head
in the most natural way as soon as I would have started writing
it on this very ceiling, but it seems that this beautiful idea doesn't
really work. Sorry.
MAURIZIO NANNUCCI
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Maurizio Nannucci
All Art Has Been Contemporary, 2000
Photo : Roman Mensing / artdoc.de
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Collection Fondation Musée d'Art Moderne
Grand-Duc Jean, Luxembourg
SEAMUS FARRELL
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Seamus Farrell
Guirlande de pays / NEW NEIGHBOURS, 2007 gravure au diamant sur vitre
Courtesy Seamus Farrell
Photo: Christian Mosar
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FLORENT MORELLET
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Florent Morellet
Land of 1000 Lakes, 2007
Courtesy Florent Morellet
Photo: Christian Mosar
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SAM SAMORE
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Sam Samore
Traces de l'exposition Gare de l'Est,
inscriptions par Sam Samore réalisées en 1998
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STINA FISCH
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Stina Fisch
Operazione paura, 2008
Encre noire, dimensions variables
Photo credits: Jessica Theis / Blue Box Design for Casino Luxembourg – Forum d’art contemporain
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