Jacques Charlier, La Surface de l'art, February 1997

 

PERMANENTS PROJECTS
 


Since June 1997
JACQUES CHARLIER: "LA SURFACE DE L'ART"
The essential thing is to know how to choose.

"Some like it new, modern, stylish, while others like it old, classic, traditional or recycled.

A thorough cleaning is all a dusty and timeworn painting needs to shine in its original brigthness, thus conveying the illusion of seeing it "at the moment it was conceived".

The same is true for buildings: a newly restored and sandblasted facade gives the impression of rediscovering it with the very eyes of those who built it.

However, whenever new buildings are erected, it often appears that the architect mistakes function for useless technological and aesthetic elements. This holds true in the world of art, where the dominant and devastating avant-garde hesitates between past esthetics and postmodern attempts. Fascinated by the facade academism and the ideology of the superficial, it continuously ignores the social reality, its adventures, its risks and its upheavals."

Jacques Charlier (February 1997)


NEDKO SOLAKOV






Nedko Solakov
A Wise Thought in a Circle, 2003
Felt pen, handwritten text on ceiling

Courtesy the artist
Photo : Christian Mosar

Text: This was supposed to be a very wise and relatively profound thought in a circle that was planed to appear in my head in the most natural way as soon as I would have started writing it on this very ceiling, but it seems that this beautiful idea doesn't really work. Sorry.


MAURIZIO NANNUCCI








Maurizio Nannucci
All Art Has Been Contemporary, 2000
Photo : Roman Mensing / artdoc.de

Collection Fondation Musée d'Art Moderne Grand-Duc Jean, Luxembourg


SEAMUS FARRELL

 

 

Seamus Farrell
Guirlande de pays / NEW NEIGHBOURS, 2007 gravure au diamant sur vitre
Courtesy Seamus Farrell
Photo: Christian Mosar


FLORENT MORELLET

 

 

 

Florent Morellet
Land of 1000 Lakes, 2007
Courtesy Florent Morellet
Photo: Christian Mosar


SAM SAMORE

Sam Samore
Traces de l'exposition Gare de l'Est,
inscriptions par Sam Samore réalisées en 1998

 


STINA FISCH

 

 

Stina Fisch
Operazione paura, 2008
Encre noire, dimensions variables
Photo credits: Jessica Theis / Blue Box Design for Casino Luxembourg – Forum d’art contemporain